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Product details
File Size: 991 KB
Print Length: 448 pages
Publisher: OUP Oxford; 1 edition (January 12, 2018)
Publication Date: January 12, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B077TS7FH3
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Amazon Best Sellers Rank:
#588,016 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
While I appreciate the opportunity to read this work in a hardcover edition, unfortunately it was barely a step up from a softcover. The pages are of a cheaper, slightly thicker material than what you find in their paperback classics. The spine is glued, which is to be expected for this price range; however, the quality of the glue I question if it will last too terribly long. There is not dust cover and for this type of cloth based cover, I think it warrants at least a dust cover. It wasn't a terrible quality but overpriced for what you are receiving. I noticed they had other classics as well and to be candid, I could spend the same amount and get a good Easton Press, Folio Society, or Franklin Library that is far greater quality. Even for modern, mass produced hardcovers this was on the cheap side. Again, it isn't a terrible quality but don't set your hopes too high.
This is a collection of those stories of Arthur Machen that fit into what would now be thought of as 'weird' tales. Normally when a book is titled after one story with the rest lumped under “and otherâ€, my expectation would be that the title story would be the best of them. And indeed, I loved The Great God Pan. But I was thrilled to find that many of the other stories in this book are at least as good, and some are even better. I've discovered a new favourite horror writer!The book is edited by Aaron Worth, Associate Professor of Rhetoric at Boston University. He provides an informative introduction, which gives a brief biography of Machen's literary life along with a discussion of his influences and themes, and of his own influence on later generations of writers. Worth also provides copious notes to explain any unfamiliar terms, or allusions within the text to other works, to mythologies, or to the preoccupations of Machen's society. All of this richly enhanced my reading experience, reminding me once again that, great though it is to be able to download so many old stories, a well-edited volume is still a major pleasure.Machen's stories are set mainly in two locations, both of which he evokes brilliantly. His native Monmouthshire, in Wales, is depicted as a place with connections to its deep past, where ancient beliefs and rituals are hidden just under the surface of civilised life. His London is a place of dark alleys and hidden evils, with a kind of degenerate race living side by side with the respectable people, and often stretching out a corrupting hand towards them. Worth tells us that Machen was sometimes considered to be connected to the Decadent movement – Oscar Wilde, Aubrey Beardsley, et al – although Machen himself disputed this. But there is a definite air of decadence with a small 'd' about the stories. Many have strong sexual undercurrents (never overtly spelled out – it's the Victorian era) and paganism is a recurring feature. There's also a frequent suggestion that the morally deficient are most likely to succumb to the forces of evil, and will often pay a horrible price for their weakness.The quality of the writing is excellent – stylistically it compares to the likes of Conan Doyle or HG Wells. There's a good deal of humour in it alongside some effective and occasionally gruesome horror and he's a great storyteller. His descriptive writing is also very good. I particularly liked how he used London pollution effectively to give a strangeness to the city – his skies are purple, grey, dark, red, and the street lamps have to fight to shed their light through the dirty air. His Wales is equally good in what feels like a deliberately contrasting way. There, the air is clear but there are hidden things behind ancient rock formations – old symbols, and sometimes new symbols placed by ancient races.The Welsh parts have a very similar feel to Lovecraft's ruins – Lovecraft acknowledged his influence – but where Lovecraft opted for ancient malign aliens, Machen's evil is all of earth, earthly. Worth reminds us that this was at a time when Victorian society was having to get used to the ideas that man had evolved from the beast and that the world was far, far more ancient than had previously been thought. Where Wells takes evolution far into the future in The Time Machine, Machen instead suggests that some of the ancient things of earth are still here, unevolved and unchanging. And that sometimes they might even live within us...The stories range in length from a couple of pages to well over a hundred. I gave every one individually either 4 or 5 stars – I think that's a first for me in any collection. Some of the very short ones are a little fragmentary, but each either tells a tale on its own or adds depth to the world Machen has created. Some are outright horror, some more an evocation of a kind of witchy paganism, some based more in reality. If, like me, you've managed to miss out on Machen up till now, I strongly recommend you make his acquaintance – a great collection.NB This book was provided for review by the publisher, Oxford World's Classics.
I checked this book out of my local library, and was shocked at how good this was, even though the style of writing is very old-fashioned, like Dickens or R L Stevenson. Solid creepy stories, that feel like they could have really happened.
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